|This Ain't a Scene, It's an Arms Race|
|From the Album||Infinity on High|
|Released||January 16, 2007|
|Format||CD Single, Digital Download, 7" Single|
|Genre||Pop punk, funk rock|
|Writer(s)||Pete Wentz, Patrick Stump|
"The Take Over, The Breaks Over"
| This Track|
This Ain't a Scene, It's an Arms Race
I'm Like a Lawyer with the Way I'm Always Trying to Get You Off (Me & You)
The Carpal Tunnel of Love
| This Single|
This Ain't a Scene, It's an Arms Race
Thnks fr th Mmrs
"This Ain't a Scene, It's an Arms Race" is a song by American rock band Fall Out Boy and the lead single from their commercially successful third studio album Infinity on High (2007). The song officially debuted on November 21 at the American Music Awards and was shipped to radio stations that night (with an impact date of December 5 in the United States). The music was composed by vocalist and guitarist Patrick Stump and the lyrics were penned by bassist Pete Wentz, following the band's songwriting approach which first began with some songs on their 2003 album Take This to Your Grave. Production was handled by Neal Avron, who also produced the band's previous From Under the Cork Tree album. Commenting on the band's decision to pick the track as the first single, Wentz said "There may be other songs on the record that would be bigger radio hits, but this one had the right message."
The track was a commercial success and the band's major international breakthrough. "This Ain't a Scene, It's an Arms Race" debuted and peaked at No. 2 on the US Billboard Hot 100 with 162,000 first week sales and broke various records. It is the group's first single to chart worldwide in countries including Australia, New Zealand and most of the European nations, where it reached the top five in many. After its Platinum RIAA and ARIA certifications in 2007, in 2013 it was certified Silver by the British Phonographic Industry (BPI) for 200,000 sales. In Australia, it spent nine consecutive weeks at either No. 4 or No. 5.
The song was released as a downloadable track for the video game Rock Band on May 6, 2008, and is also on Rock Band Track Pack Volume 2. The January 2009 issue of PlayStation: The Official Magazine lists Fall Out Boy's "This Ain't a Scene, It's an Arms Race" as second on its list of Rock Band's Five Most Unexpectedly Rockin' Downloadable Songs. The song is also available as downloadable content for Guitar Hero 5.
The single was released as a CD single, digital download and also as a 7" blue vinyl and 7" purple vinyl. The vinyls 'B-sides, "G.I.N.A.S.F.S." and "It's Hard to Say "I Do", When I Don't", were released as bonus tracks from Infinity on High in certain countries, with both included as bonus tracks on the deluxe editions of the album.
Vocalist and guitarist Patrick Stump called "This Ain't a Scene, It's an Arms Race" the "funkiest thing we’ve ever done", and attributes the change in musical style to his love of soul music, which he acquired by listening to oldies stations as a child. Bassist Pete Wentz describes the song "a bit of '70s funk mixed with [the band’s 2003 album] Take This to Your Grave with tight verses and big, fat choruses". The song closing sing-along was influenced by Justin Timberlake's "Señorita".
On "This Ain't a Scene, It's an Arms Race", Wentz uses wartime-inspired metaphors to discuss the band's newfound popularity; he called the song "kind of a tongue-in-cheek look at the way we are so addicted and obsessed with new arts, cultures and loves — to the point where it just becomes oversaturated." He commented, "I think people are gonna read into it what they will. In the back of my head it's a call to arms, but not [in the traditional sense] — more in the way that you sometimes need to just talk to yourself in the mirror." Slant Magazine called it "an unexpectedly funky battle cry that likens the quest for respect and fame to a combat situation."The song is reportedly about Wentz's frustration with the ever growing "emo scene". As he told Rolling Stone, "There may be other songs on the record that would be bigger radio hits, but this one had the right message." Wentz's inspiration for the "arms-dealer" metaphor came from the movie Lord of War. The song has also been interpreted to be a critique on artists making music just for the money and fame, an "arms race", instead of music for the fun of it.
Fall Out Boy tried to rush the remix for the song featuring Kanye West onto Infinity on High, but it was not ready in time. A remix to this remix leaked on FriendsorEnemies.com featuring Kanye West, Paul Wall, Skinhead Rob, Lupe Fiasco, Tyga, Travis McCoy, and Lil Wayne. This remix was performed at the 2007 MTV Video Music Awards, along with Brendon Urie (of Panic! at the Disco).
Music Video Edit
Beginning with the end of the "Dance, Dance" video, it shows the band members leaving the video shoot among the supposed "fans", all but a few of which turn out to be cardboard cutouts. The video portrays the band in a series of "celebrity" situations such as dealing with paparazzi, as well as recording their song in a very out-of-character hip-hop studio (a reference to a song they recorded on Timbaland's album). Patrick starts singing and making strange movements with his hands, much like Joe Cocker. Guitarist Joe Trohman knocks a bottle of liquor out of a rapper's hand, and a tabloid headline reveals that the rappers proceeded to assault the band and throw them out of the studio. The next scene shows the band playing in a hotel room, making a huge mess partying.
It transfers to Pete, at a photo shoot. The photographer takes a cell phone from his coworker and takes pictures with it, and prompts Pete to show his penis, making it look like Pete took them (in reference to real cell phone photos leaked from Pete's cell phone after he took them to send to his girlfriend). Several teenage girls are outraged after they see the pictures and realize Pete has a small penis.
Following the incident, Andy goes to a party at a parody of the Playboy Mansion with a crotch-stuffing. The scene goes back to the hotel room. While partying, a heavy set man (who bears slight resemblance to rapper Fat Joe) jumps on to the other side of the bed that Pete is on, causing him to fall out an open window to his death.
At his funeral, cameo appearances are made by several characters from their previous music videos, such as Pete's date in "Dance, Dance", the teenage girl from "Grand Theft Autumn/Where Is Your Boy"'s music video, their stunt man and close friend Dirty, the deer-boy from "Sugar, We're Goin Down" (Donald Cumming of The Virgins), William Beckett of The Academy Is... as the vampire from "A Little Less Sixteen Candles..." and Travie McCoy of Gym Class Heroes (who also danced in "Dance, Dance") and celebrities Seth Green and Michelle Trachtenberg, among others. Joe is performing a guitar solo on top of Pete's coffin as it rises out of the burial, before Pete bursts out. Joe claims this is a reference to guitarist Slash in the Guns N' Roses video for November Rain although some fans have likened it to Synyster Gates's solo in Avenged Sevenfold's video for "Seize the Day".
The ending of the video reveals that the entire video is nothing more than a dream of Pete's. Andy (who was sitting next to Pete) then realizes that they are late for a performance at a school and as they make their way on stage, they continue playing the rest of the song from the last chorus. The end of the video shows Pete attempting to stage dive.
In most public performances of the song, as well as in radio edits, the word "God" is removed from the song, to avoid using the profanity "Goddamn", although "damn" is simultaneously removed in some other versions. This censor was also kept on the Rock Band downloadable track of the song, though it was not censored in the United Kingdom, on United States Rock radio, or in Guitar Hero 5.
Commercial performance Edit
The single was a commercial success worldwide. In the United States, the song debuted and peaked at No. 2 on the Billboard Hot 100 where it stayed for two weeks (behind Beyoncé's "Irreplaceable"), spending its first nine weeks in the top 10 out of a total of 20 chart weeks. In its Hot 100 opening week with digital availability, the song soared to No. 1 on the now-defunct Pop 100 chart up from its previous week's position of No. 86. In its opening week, it sold 162,000 digital downloads, setting a new record for the highest bow for a band since radio only titles joined the chart in 1998. In addition, its download totals are the largest opening-week tally for a group since Nielsen SoundScan began tracking digital sales in 2003. It also set a record as the highest debut of 2007 and is the eighth song to debut at the runner-up position in the history of the Hot 100. Prior to its digital release, "This Ain't a Scene, It's an Arms Race" spent several weeks doing well on Pop radio airplay. In its first week of digital availability the single catapulted to the top of the digital downloads chart as well as the overall pop singles chart. It is Fall Out Boy's first number one hit song and was certified Platinum by the Recording Industry Association of America (RIAA) for shipments of one million units.
It is to date Fall Out Boy's highest charting song (albeit not their best-selling), and on the strength of 162,000 opening week downloads earned the band their first No. 1 Billboard Hot Digital Song and also a No. 1 on the now-defunct Pop 100 chart. It stayed atop the Digital Songs chart for four consecutive weeks, gathering over 500,000 downloads in that period. Internationally, it reached the top position in New Zealand and No. 2 in the UK, making it their largest hit in those countries. In New Zealand it peaked at No. 1, while in Australia it reached No. 4 and was certified Platinum by the Australian Recording Industry Association (ARIA). The song was ranked No. 40 on Rolling Stone's list of the 100 Best Songs of 2007. Fall Out Boy reached international fame and success in 2007, with "This Ain't a Scene, It's an Arms Race" also charting all over Europe, reaching No. 9 on Billboard's European Hot 100 chart. On July 22, 2013, it was eventually certified Silver by the British Phonographic Industry (BPI) for 200,000 sales.
Weekly charts Edit
|Australian ARIA Singles Chart||4|
|Austrian Singles Chart||48|
|Belgian (Flanders) Singles Chart||22|
|Canada (Canadian Hot 100)||4|
|Czech Republic (Rádio Top 100)||43|
|Danish Singles Chart||18|
|Dutch Singles Chart||41|
|European Hot 100||9|
|French Singles Chart||10|
|Irish Singles Chart||5|
|New Zealand Singles Chart||1|
|Swedish Singles Chart||22|
|Swiss Singles Chart||9|
|UK Singles (Official Charts Company)||2|
|US Billboard Hot 100||2|
|US Billboard Pop 100||1|
|US Billboard Mainstream Top 40||2|
|US Billboard Modern Rock Tracks||2|
|US Billboard Adult Top 40||5|
Year-end charts Edit
|Australian Singles Chart||14|
|UK Singles Chart||35|
|US Billboard Hot 100||11|